Joseph  Haydn

Hob.I: 10

 
Data
Order by Hoboken
Hob.I: 10
Chronological order
7
Key
D-Dur
Period
Symphonies for Count Morzin 1757 to 1761
Date of composition
1758-1760
Customer
Count Morzin
Number of movements
3
Authenticity proof
Haydnverzeichnis, Fürnbergsammlung
Score edition

Sinfonien um 1757-1760/61
Herausgeber: Sonja Gerlach und Ullrich Scheideler; Reihe I, Band 1; G. Henle Verlag München

Symphony No. 10 in D major
The first movement of this symphony somewhat resembles those of Nos. 1 and 4, but there are differences as well: the tempo is Allegro rather than Presto, the harmonic rhythm is slower and the texture changes less often, and the brief piano episode for violins alone avoids the minor mode. The sonata-form Andante seems more leisurely than many other movements of its type, with a less continuous, more varied texture. In the 3/8 Presto finale, unlike many others, the middle section is as long, proportionately, as an average Haydn development section; it contains both a dominant pedal and a minore interlude.

Analysis

 
Analysis of the movements
Title of the movement
Allegro
Key
D major
Form
sonataform
Title of the movement
Andante
Key
G major
Form
ternary songform
Title of the movement
Presto
Key
D major
Form
sonataform
Duration
appr. 15. min.

Musicians

 
Musicians

Due to the unclear time of origin of most of Haydn’s symphonies - and unlike his 13 Italian operas, where we really know the exact dates of premieres and performances - detailed and correct name lists of the orchestral musicians cannot be given. As a rough outline, his symphony works can be divided into three temporal blocks. In the first block, in the service of Count Morzin (1757-1761), in the second block, the one at the court of the Esterházys (1761-1790 but with the last symphony for the Esterház audience in 1781) and the third block, the one after Esterház (1782-1795), i.e. in Paris and London. Just for this middle block at the court of the Esterházys 1761-1781 (the last composed symphony for the Esterház audience) respectively 1790, at the end of his service at the court of Esterház we can choose Haydn’s most important musicians and “long-serving companions” and thereby extract an "all-time - all-stars orchestra".

Direction
Joseph Haydn
Orchestration
0|2|0|0 – 2|0 – 0 – Str.
Orchestra cast
0|2|0|0 – 2|0 – 0 – Str.
Cast
Flute Franz Sigl 1761-1773
Flute Zacharias Hirsch 1777-1790
Oboe Michael Kapfer 1761-1769
Oboe Georg Kapfer 1761-1770
Oboe Anton Mayer 1782-1790
Oboe Joseph Czerwenka 1784-1790
Bassoon Johann Hinterberger 1761-1777
Bassoon Franz Czerwenka 1784-1790
Bassoon Joseph Steiner 1781-1790
Horn (played violin) Franz Pauer 1770-1790
Horn (played violin) Joseph Oliva 1770-1790
Timpani or Bassoon Caspar Peczival 1773-1790
Violin Luigi Tomasini 1761-1790
Violin (leader 2. Vl) Johann Tost 1783-1788
Violin Joseph Purgsteiner 1766-1790
Violin Joseph Dietzl 1766-1790
Violin Vito Ungricht 1777-1790
Violin (most Viola) Christian Specht 1777-1790
Cello Anton Kraft 1779-1790
Violone Carl Schieringer 1768-1790

Medias

 
Medias
Choose the interpreter

Anatol Dorati

Joseph Haydn
The Symphonies
Philharmonia Hungarica
33 CDs, aufgenommen 1970 bis 1974, herausgegeben 1996 Decca (Universal)

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